The monograph is organized with an initial section introducing the artist and his album, followed by an analysis of the songs within the album, which focus mainly on references to the Inferno from Dante’s “Divine Comedy” .
From a layout perspective, the monograph strongly recalls 15th-century manuscripts (the historical period during which the Divine Comedy was written), featuring a two-column layout and a cover composed solely of text and a simple frame. This traditional style contrasts with the modern color palette and the posters developed for each song, creating a dialogue between tradition and contemporaneity that bridges past and present.